A Rainbow Landed

April 1, 2012

What does a painting look like before it gets to the canvas?

Close your eyes and imagine a rainbow splashing down somewhere, having missed the proverbial “pot of gold”, and the image you have is fairly close. This photo is the real deal: an “in process” look at my palette box filled with a spectrum of musings in a bare all image of raw colours, mixed and swirled, pending application to the composition evolving on the easel. I can only speak for myself in this. I’m not suggesting other painters work the same way.

“Palette” is an interesting word. It refers to a thin board used by artists as a surface for mixing colours. Palette also refers to colours selected by the artist as revealed in a finished painting. In my case the paint is water base acrylic so I use a box-type “wet-able” palette: the colour palette is evident.

I like too that the other “palate”, found close by in the dictionary, involves much focus on the sense of “taste” these days: in my world this is always about art.

In Paris, the Musee Marmottan Monet , a must see, holds a palatable surprise. Apart from wonderful, wonderful paintings on exhibit, there is, behind glass, an actual palette board used by Claude Monet : traces of paint colour are still visible on the age darkened wood. Would seeing an artifact like this be a thrill for you?

 

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