Busy Energy

August 12, 2012

A busy street?

Do you feel “busy” in this scene? Well, maybe not so much as the space seems rather tranquil by urban standards: a solitary taxi is waiting for a traffic signal to change. Bicyclists are waiting too. It is a Sunday morning perhaps with an opportunity to read a newspaper with a coffee in a cafe around the corner.

In suggesting “busy”  my reference is more about energies to explore. It isn’t simply crossing the street as a taxi waits: I watch how the street moves toward me as the buildings endure what has transpired for decades. I touch the trees to connect with life that compels growth from the concrete. I wonder what the windows have seen.  There are very busy energies here and the canvas will want a story told. I sense what this will be but I’m open and will listen with my heart.

We are each different in how we see and how we connect with things. Another artist will approach this location in a different way. It is so cool how this happens.

To be the artist of this scene, what would your focus be?

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Jim Pescott is a contemporary artist who lives and creates in Calgary, Alberta, Canada: his work exhibits internationally.

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Toronto Art Expo

April 20, 2012


I have paintings at the Toronto Art Expo. This is a photo of the scene during the opening evening. Lots and lots to enjoy here. Over 200 international artists.The Expo runs to 6pm on Sundays, April 22. If you are around Toronto this weekend, drop by the Metro Toronto Convention Centre. You won’t be disappointed.

How Large Is Large?

February 28, 2012

“I love this!  But can you paint it for me on a much larger canvas?”

And the response is “How large is large?”

Imagine yourself in this moment. You feel a deep personal connection with a cityscape painting on a 10″ x 12″ canvas. And you know you’d love it even more if the painting is larger. The happy ending, of course, is you decide on a 48″x 48″ canvas and this Calgary artist created a similar cityscape just for you  (see the image below). 

Paintings do this. They help us feel things. Paintings bring something into our life that never before exisited. And we have an oppotunity everyday to respond to this nourishing experience.

As an artist, a painter, I love bringing things into existance.

So tell me, “What would you like painted?”

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Jim Pescott is an international contemporary artist who lives and creates in Calgary, Alberta. To contact Jim directly about his paintings, or a project you think about, please phone 403-870-0591 or email him at paintwithdots@shaw.ca. Jim’s website is http://www.jimpescott.com

The Thrills of Paris

January 23, 2012

Imagine a first time visit to Paris, France. Next imagine walking historic streets, visiting fabulous museums, and then there’s more: imagine you are an artist and you have a painting exhibited in the Carrousel du Louvre. Goose bumps? For this Calgary artist? Yes!!!

France’s historic Societe Nationale des Beaux-Arts (SNBA) juried and selected my painting “Antarctica Shoreline” for the Salon 2011 held in December. Last May, I was riding a train enroute to Venice, Italy, when I received an email inviting me to submit work to be juried by the SNBA in Paris for their Salon 2011. I’m sure I read the email message five times before truly relating to the reality of it. A few weeks after I submitted work the SNBA confirmed the jury did accept a painting for the Salon 2011: as a Calgary artist, I would be a member of a Canadian delegation of painters and sculptors (the only one from Western Canada!) participating in this prestigous international exhibition.

There are two thrills in this. The first being participation in the SNBA Salon 2011 is a lovely honour I will forever cherish. The second is I’m self-taught and in this I’ve taken my paintings from a place of early exploration in my old basement studio to an international exhibition in Paris, France.  

Paris is wonderful. The Salon 2011 marvelous. Now, I’m now back in my studio preparing for a number of international events in 2012.

www.jimpescott.com

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Two weeks ago I was in Venice, Italy, where I’m pretty sure I walked along every canal in the city although it is easy to be fooled about this given how streets and canals mingle. Certainly I encountered the same space more than once on a number of occassions: some people might call this being lost but I will only say it was so good at such locations the first time that to return was even more delightful. I will, however, confess to feeling overwelmed at the end of each day: visually overwhelmed to be specific. The oasis for me amidst all this was watching reflections on the water.

“Venice Reflections” relates to this oasis. I found this one mid-morning when I’d bought a wonderful espresso and stood outside the shop to watch things as I sipped absorbingly. Buildings everywhere in Venice seem newly painted with versions of patina and the canals blend these in soothing melodies like no where else I know. Big patches of dancing colours disturbed only by boats slicing through to spalsh everything back onto the buildings.

Reading Italian

May 13, 2011

I’ve been in Ferrara, Italy, for over a week (also managed a day in Florence). The primary reason for being here has been to follow my paintings to the successful “Here Now” exhibition that ends today. Then again, any reason to be in Italy is a good reason.

Otherwise, I’ve been walking the city streets: buildings, people and art and everywhere I see something to paint. I’ve also been absorbing the Italian language but as I’m mostly a visual person, a painter, the written word holds better with me (at least for now). Today I met up with some sculpture that allowed me to read over a shoulder. Much fun. Ciao!