Movie From My Window

January 6, 2013

Sunrise.

The first light touching the earth where I live following the darkness of night. A vivid blessing of illumination. A breathless experience of splendour.

My home is well situated for this: each day a large kitchen window shares a sunrise as I sip on coffee. Open the curtains and through this window, like on a large movie screen, an amazing episode presents light, energies and colours as only Nature creates. Visual ecstacy with, or without, the caffeine.

How to express this artistically is my current wonder. Large canvas, small canvas, does it really matter?

And as the canvas tells me what it wants, will Nature allow access to the precious colours as I mix the paints.

Energies are the catalyst: thank-you Nature for this wisdom. Yes, the energies of each sunrise touch my heart deeply.

So I will paint the sunrise in many ways: many versions. Wild expressions of energy. Vibrant abstractions of heavenly colours. Delicate calm spiritual moments. All meditations.

The journey begins.
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A landscape painter, considered a pointillism master, Jim creates in Calgary, Alberta. For more, see his facebook page http://www.jimpescott.com/JimPescottPaintingsinDots

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Summer always leads to autumn.

That’s true isn’t it? I can count on this.

In every year there will always be a summer and there will always be an autumn. Besides the other two seasons, winter and spring, is there anything else that always happens?

Oh sure: daytime and night and with these on average we get 365 such experiences in a given year. That’s always the way it happens.

The cool thing about painting, being an artist, is the opportunity to create an autumn experience anytime: my spring can be filled with autumn if I feel a need for a walk in a yellow wood. Time of the year really doesn’t matter in my studio. Nor does the time of day.

Note: this painting, “In A Yellow Wood” will be seen at “Limitless Expressions”, an international exhibition presented by VividArts Network at the Vogue Studio Gallery in Toronto, Ontario: July 19 to 29, 2012.

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Jim Pescott is an international contemporary artist who lives and creates in Calgary, Alberta. To contact Jim about his paintings, or a project you have in mind, please phone 403-870-0591 or email him at info@jimpescott.com. Jim’s website is http://www.jimpescott.com

Painting On The Fly

June 12, 2012

I’m now home from about six weeks of travel. The journey took me to Toronto, Ontario, Vancouver, British Columbia, Ferrara, Italy, and a wonderful ten days in Arkansas. Most of the journey involved exhibitions with my paintings but I painted lots while travelling as well.

Painting on the fly makes for some fun logistics. Finding art supplies is often an adventure. And managing canvases on a journey back to my studio is a primary need. Painting like this also means working in varying climatic conditions: the impact of humidity on the impact on drying time of water based paint is interesting.

Being in new locations brings insights and experiences that inevitably transcribe to the canvas. Sunlight, and shadows, vary so much from place to place. And the trees are different: where I live the trees are mostly poplars and their variations. In Arkansas I never saw an aspen. And what would Italy be without the cypress. Here’s an interesting link to images of many, many trees of the world to share just a little of what exists when one travels.

While I paint lots of trees, there are often other subjects within the theme. So reflect on how buildings differ in places like Toronto, Vancouver, Italy and Arkansas. In Italy I was especially drawn to people.

To paint when I travel means I may not see two dozen tourist highlights over seven days: it does mean I’ve engaged the places I’ve seen in very intimate ways.

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Jim Pescott is an international contemporary artist who lives and creates in Calgary, Alberta. His studio-gallery is available to view by appointment: please call 403-870-0591 or email paintwithdots@shaw.ca. Jim’s website is http://www.jimpescott.com

 

Windows In The Trees

May 1, 2012

Looking through trees it seems there are windows allowing me a view. And there are tiny eyes looking out from the trees as though windows allow them a view as well. On both sides, we simply watch.

Is a big part of life about watching through windows?

We “people watch” as though people are on the other side of the glass: perhaps they too watch us. And please don’t tell me you resist the opportunity, at dusk while walking in the dusk light of the evening, to look through the windows of homes where the lights are on and the curtains are open. Facebook seems a window place. Weather, too, seems a window moment: we watch the weather from our kitchen window. Television augments the window experience with an entire weather providing a window on meteorology anywhere in the world.

Perhaps the most interesting window of all: when we frame a work of art.

 

Colours For Tree Trunks

March 23, 2012

 

 

 

 

 

 

Painting often involves pushing into something without fully knowing why. Blind response perhaps.  Thoughts from somewhere, being prone to listening in a given moment and things transpire.

While painting tree trunks, the colour red connected with me. Not any red: a really bright red. I wasn’t sure but I listened and things evolved.

Is there a colour you would paint the tree trunks? I’m interested. There is no right or wrong answer. Something will suggest itself and it is about allowing this to have expression. What colour would you paint the tree trunks if you were painting them?

Would you paint them the colour that reaches out to you? Would you paint them that colour knowing that others would see?

Hoping you will.